Acoustic guitar X-Style

Acoustic guitar X-Style

Acoustic guitar X-Style

Our guitars are made with the finest wood , hand made from experienced luthers.
Now we offer an online configuratore to create your own instrument and see the price immediatly.
just click on customize.

$1,077.96

Add to cart

Details

Our guitars are made with the finest wood , hand made from experienced luthers.
Now we offer an online configuratore to create your own instrument and see the price immediatly.
just click on customize.
Product Options
Sound board
Sound board
Choose the wood to build the table of your new guitar . Probably is the main important decision because on this depends the timbre of the instrument . Here is a table that will help you  ...

Body color
10000 color combinations available and other special effects and colors on request .
Colors are listed by category : natural colors , solid colors , transparent colors , metallic colors , colors flake and color burst .
Natural colors : transparent, shiny or matte , but colorless .
Solid colors : solid colors and are completely opaque
Transparent colors : glossy colors are leaving to see in a transparent colored wood below
Metallic colors : are glossy colors with a metallised base end .
Flake colors : glossy colors are always with a metal base but much more large grain compared to metallic.
Color burst : are glossy colors , shaded , two or more ' translucent colors.
 

All colors are diponibili version nitro or polyurethane .

Many other finishes and special effects are available on request
Back and sides
Back and sides
The other part of the sound is done from the back and from the sides , as well as aesthetic , complement and balance the sound of the soundboard. Do you have any doubts? see the table below ...

To learn more  follow this link ...

Body color
10000 color combinations available and other special effects and colors on request .
Colors are listed by category : natural colors , solid colors , transparent colors , metallic colors , colors flake and color burst .
Natural colors : transparent, shiny or matte , but colorless .
Solid colors : solid colors and are completely opaque
Transparent colors : glossy colors are leaving to see in a transparent colored wood below
Metallic colors : are glossy colors with a metallised base end .
Flake colors : glossy colors are always with a metal base but much more large grain compared to metallic.
Color burst : are glossy colors , shaded , two or more ' translucent colors.
 

All colors are diponibili version nitro or polyurethane .

Many other finishes and special effects are available on request
Sound hole inlay
Sound hole inlay
The decoration of the hole has an aesthetic function and to stiffen the hole itself. You can choose different designs and materials , or you can take part in a quote for a customized decoration .

Some decorations , such as those oval , are devoted particularly to a specific model of hole they can nevertheless be combined as desired .
Sound hole
Sound hole
The choice of the size and shape of the hole allows to vary the frequency response of the sound box .

In general a smaller sound hole lowers the frequency response favoring low frequencies , while a wider hole acts in the opposite manner.
Soundport
The SoundPort born to give to the players a direct sound of the instrument and enhances sound projection below the ear of the musician . The sound port is opened and closed by a door made ​​of the same wood bands .

In ' the image is represented SoundPort closed .
Binding
Binding
The binding decorates guitar emphasizing the contours , but also protects the table and the bottom , reducing the possibility ' that develop cracks . In general the height of the binding side is 6 mm and the thickness of about 1.5 mm .

request for a custom binding are possible.
Tastiera
Tastiera
The table below lists the frequency response of some woods used as a keyboard. Some keyboards like the dark wood are less vulnerable to wear,  other in  maple require greater care in the use .

Fretboard binding
Fretboard binding
A decorative Binding that extends from the nut , wrapping the entire handle .

The binding has a height of 5mm and a thickness ( seen from the front ) of 1.5 mm .
Legno manico
Legno manico
Mahogany and maple guarantee maximum flexibility and stability and are therefore the best choice in most cases . You can still try other materials .
Headstock veneer
Headstock veneer

The copripaletta is a wood veneer , usually thick no more 'than 2mm , which is glued on the the pallet in order to embellish and strengthen it .

Body color
10000 color combinations available and other special effects and colors on request .
Colors are listed by category : natural colors , solid colors , transparent colors , metallic colors , colors flake and color burst .
Natural colors : transparent, shiny or matte , but colorless .
Solid colors : solid colors and are completely opaque
Transparent colors : glossy colors are leaving to see in a transparent colored wood below
Metallic colors : are glossy colors with a metallised base end .
Flake colors : glossy colors are always with a metal base but much more large grain compared to metallic.
Color burst : are glossy colors , shaded , two or more ' translucent colors.
 

All colors are diponibili version nitro or polyurethane .

Many other finishes and special effects are available on request
Headstock binding
Headstock binding
The binding as in other parts of the instrument decorating headstock . Usually it used in conjunction with keyboard bindings .

The height of the binding side is about 3 mm .

 
Diapason
Diapason
The scale length of the neck is in practice the distance between the nut and bridge of the instrument . In a short-scale instrument keys are more short and this can benefit those who have a small hand .

If you want a handle " normal " choose the long scale .
Bridge
Bridge
You can choose from various models of bridge . Each model is available in more than a material . If you choose a fanned keyboard type, you will need to choose the multi diapason bridge specifically designed for this use                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 .
Tuners layout
Tuners layout
The arrangement of the tunerson the  front is the more ' traditional and used . We also offer the" slotted "  layuot for aesthetic impact more similar to the classical guitar and a lighter palette 
Nut
Nut
The material of the nut influence timber and sustain the instrument . You can find a wide selection of all materials more valid .
Inlays
Inlays

You have more than 80 styles to choose from . Of course, on request we can customize your neck with graphics of any kind provided by you.

Keyboard Range
 
Keys
Keys
Choose your preferred fret .

the code number refers to the model :
- 6100 Jumbo ( Standard Ibanez ) Great Tapping , Hammer on and pull off
- Jumbo 6105 ( the most widely used model ) Good balance between intonation and playability .
- 6130 Medium Jumbo ( Standard Gibson ) Great Bending .
- 6230 Medium ( Vintage Fender ) Great slide , control and smoothness . Perfect pitch .
Shape Back Neck
Shape Back Neck
The shape of the neck is key to the playability . The measures may vary slightly depending on the radius chosen for the keyboard . Other shape are available on request .

The standard thin is the standard shape that you find today on a standard american strat .

Fat is back bigger and round shape that we often used in the vintage necks.

The Soft v shape is a particular shape popularized by Eric Clapton .



The variable shape is a very complex shape , designed to give a great comfort. The section of the neck varies continuously from the first to the 12 button following the natural movement of the hand  The neck section is not round but asymmetric . This shape is appreciated by those who are very innovative and demanding . Thickness 1st fret 19.7mm - 12th fret 23mm .

The slim c shouldered abbastansta is similar to standard thin but slightly flat in the center . Thickness 1st fret 19.9MM - 12th fret 22.3mm
Bracing
Bracing

Choose the bracing style

  
  Quantity: